Contents.There are any number of reasons why you might need a digital voice recorder. Maybe you want to use it to capture ideas like the businessman in the story above.

Or perhaps you’re a journalist and you use a voice recorder to capture ideas for your next article.Many famous songwriters use voice recorders to capture musical ideas away from the studio, and business professionals use them to record important points in a conference for easy reference down the road. Some students use voice recorders to capture important parts of a lecture or to help them study for a test.If you are in the medical or legal industry, you may want to consider using a voice recorder as well.

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Doctors and nurses can use digital voice recorders to capture notes about their patients and record information during a procedure, rather than relying on written notes. Attorneys and lawyers may use voice recording to help them prepare for a case. The Best Digital Voice Recorders for 2020. Voice recorders can be especially helpful in criminal justice. Police investigators can use them to take notes when they’re out in the field, and detectives rely on them to record conversations with witnesses and suspects away from the police station.One of the more modern uses for a digital voice recorder is transcription. Advanced transcription software allows people to create digital documents by speaking into a microphone. Voice recognition programs record the audio data and convert it into text.

You’ve probably seen this used on a small scale with text messages. Imagine how helpful it would be to transcribe reports and documents automatically with your voice instead of using a keyboard!As you might expect, the quality of these devices varies dramatically with their price, and your needs will heavily influence the quality of recorder you require. The following guide will help you to select a digital voice recorder most suited to your individual needs.Things to ConsiderThere are a number of factors to keep in mind as you weigh the strengths of various devices. These include recording quality, storage capacity, size of the device, versatility of the machine, systems compatibility, voice recognition software and more. Five of the most important items of consideration are listed below.1. Memory CapacityThe available storage space, or memory capacity, available on your digital recorder determines how long you are able to record before transferring or deleting files.

This is directly influenced by the recording file (mp3, wave) and by the fidelity, or quality, of the recording.2. Recording QualityThe recording quality plays a major role in how clear your recordings are. While this is is also influenced by the quality of your microphone, the higher the bitrate, the better and clearer your recording will sound. Bear in mind that recordings at higher bitrates take up more data.3. InterfaceA voice recorder interface can be measured by two different standards: how easy it is to use, and how advanced and comprehensive the controls are. Some voice recorders have a simple user interface, ideal for those who don’t need a lot of fancy bells and whistles.

If you demand more out of your voice recorder, more expensive model often has more ways to fine-tune your recordings.4. Operating System CompatibilityFor many people, it is important that their voice recorder be able to transfer recordings from the device to a computer. This is typically done through a USB connection. Although most recorders will be compatible with both Windows and Apple software, it’s a good idea to double check before you buy.5. Transcription TechnologySome advanced voice recorders have transcription technology that can be used in conjunction with compatible software and computers to transpose audio files into word documents. The practical applications of this feature are almost limitless. Editor’s Pick:Choosing the best voice recorder was a challenge because many of the high-end voice recorders are designed with a specific audience or purpose in mind.

We felt that the best all-around universal voice recorder was the. 2-position stereo microphones. Sturdy lightweight metal case.

Records in multiple formats. 32 GB of internal storage. Includes a wireless remote controlBest Digital Voice Recorders Under $50 1.If you’re looking for an easy-to-use digital voice recorder, the is an excellent bargain. This recorder is packed with useful features and is available at an extremely reasonable price.This is a very powerful and effective voice recorder. It has 8 GB of memory storage, allowing it to record up to 20 hours of continuous audio. The EVISTR 16GB Digital Voice Recorder records in MP3/WAV format audio at 384 kbps, meaning you’ll get MP3-quality recordings with strong fidelity.

If you lower the bitrate, you could record even more. If quality isn’t a concern, you could record up to 560 hours (over 23 days) at 32 kbps.The voice recorder is easy to use as well. Its simple operation involves just four buttons – record, stop, play and menu – so you can use your recorder right out of the package. The recorder body is made out of metal, and it comes with a USB 2.0 cable that allows you to quickly and easily transfer your recordings to the computer.The EVISTR Mini is compatible with both PC and Mac, but additional software is required for your Mac to play back the audio files.Best Digital Voice Recorders Under $100 2.The is another fine example of an inexpensive digital voice recorder with a fine performance. Although it is comparable to the EVISTR Slim, there are several significant differences between the two.Although it only has 4 GB of memory,you can add up to 32 GB of external memory with an SD card.

What’s more, the Olympus WS-852 records audio in MP3 rather than Wave format. This leads to smaller file sizes, which means that the 4 GB of memory on the WS-852 can record far longer than some 8-GB recorders.The Olympus WS-852 has some exciting features. For example, it’s Intelligent Auto Mode automatically adjusts the mic sensitivity to the volume of your voice. If you’re in alone in a small room, it will turn the sensitivity down, and if you’re trying to take notes in a lecture hall, it’ll compensate for this as well.The voice recorder also has two different information modes.

It has a simple mode, that displays only the most pertinent information, which is helpful for anyone unaccustomed to the screen. It also has a normal mode that is suitable for advanced users who want more control over their recordings.Thanks to its special design, you don’t need a USB cable to connect the WS-852 to a computer. Rather, a direct USB port is built into the model, allowing you to plug the voice recorder directly into your computer. Thanks to an impressive memory life and convenient design, this is an excellent choice for a low-cost voice recorder.3.Another budget pick from Olympus, the has, in comparison to the previous one, more memory and better performance.The WS-853 is an 8 GB internal memory recorder that delivers high-quality MP3 recordings. It has 2 stereo microphones positioned at a 90-degree layout.Moreover, this model from Olympus has the same Intelligent Auto Mode for adjusting the mic sensitivity, as well as the Simple Mode as the 852, but it has Noise Cancellation filter and Voice Balancer, which the 852 lacks.You can add up to 32 microSD card external memory. If you should choose between the two, this Olympus version is slightly improved with a longer recording time of up to 2080 hours and the fact it features 2 AAA rechargable batteries.Best Digital Voice Recorders Under $150 4.If you were ever looking for an easy-to-use digital recorder, the is an excellent choice.

This sci-fi-like voice recorder is packed with a variety of features that make it efficient even though it’s cheap.This device has a sleek design, with a round protective mic enclosure. It doesn’t have internal storage, so you’ll have to add a microSD card with up to 32 GB.Moreover, the H1n has one-touch button controls, making it simpler for you to record on the go. It supports alkaline batteries that give you 10 hours of continuous recording with the recorder’s 44.1 kHz/16-bit microphone.The input impedance on this recorder is 2 kΩ. It also has Playback Speed Control, Stereo overdubbing functions, and Voice Emphasize Filter which deliver a clear sound quality.5.is another digital recorder with an innovative, modern design.

It’s not quite as stylish as the Zoom H1N, but the interface is much better.This model from TASCAM doesn’t come with a microSD card, but you can add one of up to 128 GB. One major difference between this and other models is the length of the recording time.Microphone sensitivity is quite good on this one. The DR-05X has 2 built-in omnidirectional microphones with a sound pressure level of up to 125 dB and a low-cut filter of 40/80/120 Hz. Plus, it has a timer function, overdub feature, and dictation mode for when you record human voice.It has stereo speakers, a 3.5 mm mini-jack microphone/line input, and a USB 2.0 connection. You can record in either MP3 or WAV formats, and you can choose from a wide range of quality, including 320 kbps MP3 and audio lossless wave files. It records audio clearly and offers noise reduction as well.The 2 AA batteries ensure you have a recording time of 19 hours.

This may not be the best voice recorder out there, but it’s not disappointing either.Best Digital Voice Recorders Under $200 6.The is stylish, compact voice recorder with a number of powerful features. Although it suffers from a lack of buttons which can make using it more complicated, the audio recording quality is top-notch.The H2n comes with a 2 GB microSD capable of upgrading to 32 GB.

It has five built-in microphones for superior audio and comes with four different recording modes, including 2- and 4-channel stereo recordings.Although the controls are not the most intuitive, the audio recording quality of this recorder is absolutely excellent. Features such as Auto Gain and Data Recovery give it an edge over similar models, and it runs for up to 20 hours on just two batteries.Although the whole recorder looks like the analog-type microphone, it records up to 24-bit/96kHz WAV audio files and the MP3 format.7.Tascam is known for producing high-quality recorders.

One such is the, which can come in handy for podcasting, music, or professional voice recordings.This model has no internal storage. You’ll have to purchase an additional microSD card with up to 2 GB, an SDHC card from 4 to 32 GB, or an SDXC card of up to 128 GB.The DR-40X has 4 channels and 44.1k/48kHz only built-In unidirectional stereo microphone and a USB Micro B-type port. The built-in speaker isn’t good, but you can plug in headphones on an XLR/TRS Combo jack.What’s best with this recorder is its recording time. You can have up to 192 hours of recording time with a stereo file in 44.1kHz/ 16bit CD quality with a 128 GB SDXC card. On the other hand, when recording with a standard 2ch WAV, 44.1kHz/ 16bit, you can get up to 17.5 hours of recording time.Best Digital Voice Recorders Under $250 8.Recently released in 2016, the represents the latest in digital audio recording technology.The advanced microphones allow you to record in either stereo or 4-channel audio, and the built in X/Y stereo microphones and can handle up to 140 dB SPL (sound pressure level). This is an extremely high threshold, allowing these microphones to accurately capture a wide range and volume of sounds.Although it can support a microSD chip of up to 32 GB, there is one downside: the H4n does not ship with a microSD. That’s hardly a dealbreaker, however: you can buy a 32 GB microSD for less than $15.

Considering how cheap they are, I’m a little surprised they didn’t just include one anyway. But there’s no reason to nitpick; the H4n records superior audio.Best Digital Voice Recorders Under $300 9.Sony’s is the right recorder for business needs. It is compact and comes with NeeGo Lavalier Lapel Mic.The SX Series MP3 Recorder comes with 16 GB internal storage and can record up to 159 hours. If you think the internal storage won’t be enough for your recordings, the device has microSD/SD HC/M2 expansion slot that can hold up to 32 GB of external storage.Also, this recorder Intelligent Noise Cut feature to reduce the noise in your recordings, as well as A-B Repeat feature for playback convenience.

Cambridge Audio DacMagic XS
$74
About the size of a small box of wooden matches, the Cambridge DacMagic XS is one of the smallest and lightest portable DACs reviewer Steven Stone has seen. It measures approximately 2 1/8' by 1 1/8' by 3/8' and weighs under 4 oz. On one end you’ll find a micro-USB input and on the other end is a 3.5mm stereo output. Although it doesn’t handle every audio format, and isn’t DSD-capable, the DacMagic XS delivers a lot of functionality and sonic goodness for under $200. For audiophiles looking for a road-warrior-worthy DAC that will be at home hooked up to any computer, portable, or desktop, and successfully drive most headphones, the Cambridge Audio DacMagic XS DAC is a savvy and very affordable option.

AudioQuest DragonFly Black and DragonFly Red
$100/$200
AudioQuest practically invented the low-cost, high-performance USB DAC in stick form with the original DragonFly. It was a massive success. But these two new models greatly improve on the sound of the original, and the $99 Black version comes at a lower price, to boot. The Black is smoother than the original, with more extended bass. Although both DACs sound superb and are amazing values, the Red at $199 delivers striking sonic quality, with exceptional transparency, resolution, timbral realism, and wide dynamics. Add AudioQuest’s $49 JitterBug USB isolation device to either and take the performance up another notch. The Red with a JitterBug is good enough to use as a front end in a budget high-end home-based system. Recent production adds MQA rendering; older units can easily be updated.

Ideon Audio 3R USB Renaissance
$212
This inexpensive device simply takes in an audio signal from a computer via USB and outputs a cleaner USB signal to your DAC. The “3R” in the model name refers to the device’s three functions: “redrive,” “reclock,” and “re-generate.” The Ideon 3R USB Renaissance will step up the sound quality heard through the USB outputs of most rendering computers, and at a very affordable price.

Resonessence Labs Herus
$350
The Canadian-made Resonessence Labs Herus is one of the most flexible USB-powered DACs in sample- and bit-rate capabilities. This lipstick-sized unit supports PCM up to 352.8/24 as well as DSD64, DSD 128, and DXD files. So, regardless of how you like your high-resolution files, the Herus will play them. Machined out of a solid block of aluminum, the Herus measures 2.5' x 1.25' by 0.75' and weighs less than a pair of CD jewel cases. On native DSD128 sources, it offered a level of sound quality that rivaled that of any DSD DAC Steven Stone has heard, regardless of price.

NuPrime DAC-9
$795
More than a DAC, the DAC-9 can serve as a system controller, since it has several digital inputs, an analog line-level input, balanced and unbalanced outputs on XLR and RCA jacks, and most importantly, a remote control. It provides 99 volume settings in 0.5dB increments—impressive at any price. DSD decoding up to DSD256 is becoming pretty standard via asynchronous USB inputs. The DAC-9 played back all non-MQA formats at their rated speeds with no problem at all. It sounded very smooth and pleasant, and presented a wide soundstage. In reviewer Vade Forrester’s opinion, this is the best value in the NuPrime 9 series gear.

Rotel RDD-1580
$799
If you’re in need of a high-quality DAC capable of PCM audio up to 192kHz/24-bit at an affordable price (and who isn’t?), Rotel has designed a DAC capable of producing audiophile-quality sound at big-box-store prices. With six digital inputs, including USB, coax, and optical, plus the ability to stream Bluetooth audio from your favorite portable devices, the Rotel RDD-1580 is a DAC that will blow you away without blowing the budget.

Wyred 4 Sound DAC-2v2
$2299 ($1500 for SE boards)
The Wyred 4 Sound DAC-2 combines a rich feature set with remarkable performance at a price that makes it hard to beat. Its overall sound has a solidity and weight that are both arresting and involving. While SS hasn’t heard every available DAC in its price range, he has yet to hear any USB DAC under $2500 that outperforms the Wyred 4 Sound. Factor in the basic DAC-2’s 192kHz high-resolution capabilities, small upcharge for DSD support, and the ability to convert to SE anytime you wish via built-in circuit-board upgradability, and you have a DAC that will remain au courant long enough to make it a savvy and satisfying purchase, regardless of how much more you can afford to spend.

Schiit Audio Yggdrasil
$2399
Designed by industry legend Mike Moffat, the Yggy DAC sounds very much like the famous Theta Digital DACs that Moffat designed in the 1980s and 1990s—but better. Like the Theta DACs of yore, the Yggy has a bold, assertive, vibrant, even vivid presentation. Because of this startling clarity, individual musical lines within complex arrangements are spatially and timbrally distinct. This has the effect of revealing each musical part with greater precision, as well as the intent of each musician—and with that comes a fuller, richer, and more complex presentation of the composition and arrangement. Transient attacks, from a hard-hit snare drum to the most delicate tap on a cymbal, are startlingly fast, defined, and vivid. If you’re looking for a DAC that does quad-rate DSD, decodes MQA, offers a volume control, and includes a headphone amp, look elsewhere. But if the very best reproduction of PCM sources is your goal, the Yggdrasil is the ticket. It’s a spectacular performer on an absolute level, and an out-of-this world bargain.

Bryston BDA-3
$3495
The new Bryston BDA-3 enhances the functionality of the 2013 Product of the Year Award-winning BDA-2 by adding a second asynchronous USB input and four HDMI inputs. PCM sample rates up to 384kHz are now supported, as are DSD rates up to DSD256. Most significantly, not only can DSD signals be received by the BDA-3’s USB inputs, but also from suitably equipped HDMI sources. The evolutionary development of Bryston’s DACs from the original BDA-1 to the BDA-3 has been an object lesson in digital progress. Bryston’s BDA-3 DAC surpasses the high-value performance standard set by the BDA-2, enables inexpensive HDMI-equipped disc players to function as premium source components, and adds exceptionally engaging DSD playback to its potent mix of virtues.

Legacy Audio Wavelet DSP Room Correction System
$4950
Legacy designed the highly sophisticated Wavelet DSP speaker and room-correction processor to bundle with its own speakers, but this newly upgraded version can be used with any speaker. Functionally, the Wavelet is a preamp with integral DAC, digital crossover, and multi-band digital equalizer. It will correct for speaker and room frequency-response variations, as well as change the time-domain behavior of the wavelaunch from the speaker to reduce the deleterious sonic effects of room reflections.

Berkeley Audio Design Alpha DAC Series 2
$4995 (user-installable MQA Rendering Upgrade for Alpha DAC Reference Series 2, Alpha DAC Reference Series, Alpha DAC Series 2 and Alpha DAC, $595)
The Product of the Year Award-winning Alpha DAC is not only one of the best-sounding digital-to-analog converters, it’s also an amazing bargain. In addition to world-class decoding of CD sources, the Alpha DAC can handle any sampling rate up to 24/192. Its robust analog output stage and variable output level allow it to drive a power amplifier directly. This feature is significant, because the Alpha DAC is capable of such resolution, timbral purity, and dynamics you’ll want to hear it without the limitations of a preamp in the signal path. When used at its best—fed by true hi-res sources from a music server, and driving an amplifier directly—the Alpha DAC delivers stunning resolution of the finest musical detail, throws a spectacularly large and well-defined soundstage, and plays back music with gorgeous tone color and purity. It lacks a USB input, but you can add Berkeley’s Alpha USB converter for the capability. A user-installable update adds MQA decoding and improves PCM sound quality.

PS Audio DirectStream
$5999
Sometimes it’s good to start from scratch when designing a new component. That’s what software guru Ted Smith did—he started from the premise that DSD recordings sound good and built a DAC around that premise. Using a field programmable gate array (FPGA)—the digital equivalent of a blank slate—he created a DAC that converts all incoming PCM files to DSD128, then decodes them with a 24dB-per-octave low-pass filter (LPF) with far less harmful sonic impact than typical brickwall PCM filters. The transformer that’s part of the LPF filter is also the output section, so there are no tubes or transistors to be seen (or heard). PS Audio’s Paul McGowan heard a prototype, loved it, and agreed to build it. VF thought it was easily the best digital sound he’d heard, but the DAC needs lots—probably 500 hours—of break-in. Recently available is the PS Audio MQA Bridge Card for MQA-unfolding at $899 (see Music Servers).

dCS Debussy
$11,999
The least expensive DAC from England’s dCS, the Debussy nonetheless makes use of virtually the same circuitry and technology as its far more expensive stablemates. Further, its generous feature list includes plentiful source-format options, single-ended and balanced outputs, and a front-panel sample-rate display. Most importantly, the Debussy’s sound is great, with a density of musical information that sets it apart from the competition. Nor is there any sense of frenetic digital machinations; AT found that sound winds out of the Debussy like thread from a spool. Moreover, this DAC’s USB interface is one of the industry’s best-sounding. Despite being the “cheapest” model, the Debussy boasts a sonic and musical imprimatur that unquestionably identifies it as a true dCS. Recently updated to support DSD on USB and all other digital inputs.

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Brinkmann Nyquist
$18,000
Brinkmann may be best known for its 35-year track record of making exceptional turntables, but its new Nyquist DAC immediately establishes the company as a major contributor to first-rank digital playback. The Nyquist is brimming with advanced features, including MQA decoding, high-speed DSD support, Roon-ready operation, UPnP connectivity, and upgradeable digital circuitry. Yet for all of its cutting-edge digital prowess, the Nyquist’s output stage is built around that most ancient and venerable of audio technologies, the vacuum tube. This marriage produces a sound that is very “non-digital,” embodying all the qualities that analog is famous for—dimensionality, treble smoothness, bloom, timbral purity—but coupled with digital’s strengths of image solidity, pitch stability, and bass impact. The combination of analog-like warmth, bloom, and ease along with the state-of-the-art in digital connectivity makes the Nyquist an extremely compelling package.

Berkeley Audio Design Alpha DAC Series 2 MQA
$19,995
Berkeley took what was the finest-sounding DAC extant, its Alpha DAC Reference, and significantly improved it with the new Series 2 MQA version. The Series 2 MQA has a smoother and more natural rendering of timbre, finer resolution of detail, greater transparency, and, perhaps most importantly, a dynamic openness that increases musical engagement. This new DAC’s smoothness doesn’t come at the expense of liveliness or timbre through the brilliance range; it somehow manages to combine liquidity with resolution, transient speed with an absence of etch, and information density without fatigue. And it does this even with CD-quality files. Note that the Alpha DAC lacks a USB input; you’ll need Berkeley’s Alpha USB converter ($1895). The original Alpha DAC Reference was priced at $16,000; the Series 2 is $19,995. Owners of the original can upgrade for the $3995 difference. The latest software update ($595) not only adds MQA rendering but also realizes a surprisingly large improvement in PCM sources. But play an MQA file and you’ll hear the absolute state of the art in digital playback. Digital doesn’t get any better than this.

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MSB Technologies Reference
$39,500 (and up)
JV is an analog man and always will be. But when it comes to ones and zeroes, things have taken a rather dramatic turn for the better chez Valin since the arrival of the MSB Reference DAC and Reference transport. On physical media such as CD or SACD and on streaming sources, the Reference DAC is the most realistic-sounding digital source-component JV has heard in his home, including the dCS stack he reviewed years ago. It is weird that this DAC has turned his head, since it doesn’t do three-dimensional imaging and bloom quite as well as record players do. And yet, on select cuts from select discs the thing has the colorless neutrality, speed, detail, presence, dynamic range, and delicacy that still make voices and instruments sound “real” enough to raise goosebumps. As a bonus, the Reference DAC renders and decodes MQA, is Roon-ready, and includes a built-in volume control that is absolutely superb and that, at least with digital material, can be substituted for whatever preamp you’re currently using. JV’s reference.